Album: Wire — Silver/Lead
Wire's latest record is another excellent example of what they've always done — being impressively odd, writes Jacob Bernard-Banton
Wire's latest record is another excellent example of what they've always done — being impressively odd, writes Jacob Bernard-Banton
Harry Styles' baffling and bombastic solo debut leads our round-up of the week's new releases
Her sister may have beaten her to the finish line, but Solange Knowles’ effort is more cohesive and understated
Run-of-the-mill guitar bands are the order of the day at this year’s Dot to Dot, but minor indie gems and slap-bass soul provide some much-needed respite
Never one to be ostentatious, Jessy Lanza's subtle second album flirts with R&B and Chicago house on a brilliant pop album that leans towards the dancefloor
We've come to expect strong punk-pop songwriting from the Thermals, but their seventh record's cumbersome 90s emo revival is lacklustre and very forgettable
No closer to the kind of success their peers have enjoyed, Yeasayer's latest sees confusion stand in for cohesion
Electronic music can seem like a bit of a boy's club, but there have always been women involved. The tide is surely turning
Started in the small, unassuming town of Redcar, North Yorkshire, Stephen Bishop’s cassette label Opal Tapes is a kind of mecca for off-kilter electronic music
Virgo Four's version of Chicago house was always a little more offbeat and introverted than their peers, but it was just as futuristic and innovative
Kanye West's much-anticipated and flawed seventh album The Life of Pablo will delight and piss off in equal measure. But it wouldn't be a Kanye West album if it didn't piss off…
Hinds' charming, rip-roaring garage-rock revivalism had the audience in Gorilla right in the palms of their hands