Film
Review: Colour out of Space
Carl Fitzgerald writes of the new Lovecraft adaptation's cosmic madness
Latest bylines
40 stories
Film
Review: Little Joe
Carl Fitzgerald reviews Jessica Hausner's "stunning" and "fantastically creepy" plant-based thriller
Film
Review: The Invisible Man
Featuring a standout performance from Elizabeth Moss, Leigh Whannell’s adaptation of HG Wells' 1897 novel is a masterclass in updating a classic character for the 21st century…
Film
Review: Naked Lunch
This abstract Burroughs adaptation is simultaneously Cronenberg's grimmest and funniest film, earning a spot at HOME's latest season on 'unfilmable' books, writes Carl Fitzgerald
Film
Review: The Lighthouse
Robert Eggers steers far from a sophomore slump with this atmospheric horror punctuated by sledgehammer performances from Robert Pattinson and Wilem Defoe, writes Carl Fitzgerald
Film
Review: The Personal History of David Copperfield
Political satirist Armando Iannucci assembles an all-star cast for this period epic adaptation of Dickens' novel that's witty, energetic and charming, writes Carl Fitzgerald
Film
Review: Queen and Slim
Carl Fitzgerald reviews the frustrating tale of two runaways, starring Jodie Turner-Smith and Daniel Kaluuya
Film
Review: The Nightingale
Following on from The Babadook, Jennifer Kent's latest film The Nightingale proves a searing depiction of colonialism and the intersection of oppression fronted by stellar…
Film
Review: Knives Out
Featuring an all-star cast and a brilliant script, Rian Johnson's Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl…
Film
Review: Frozen 2
Despite the critically-acclaimed magic of its smash-hit predecessor, due to poor plotting, awkward pacing and musical mis-steps, Frozen 2 has certainly let it go, writes Carl…
Film
Review: Last Christmas
Despite its potential, Paul Feig's Wham-quoting Christmas rom-com wastes its stars' talent and fails at meaningful social comment, writes Carl Fitzgerald
Film
Review: The Good Liar
Despite starring A-class talent, Bill Condon's stylish crime thriller struggles under the weight of its often ludicrous plot twists, writes Carl Fitzgerald