Theatre
Review: Lear
HER Productions' gender-swapped adaptation of King Lear is brilliantly subversive and phenomenally acted - but it could be better structured
Latest bylines
22 stories
Theatre
Review: Cocktails and Cinquains #2
Cocktails and Cinquains returned for a second event at Contact, following its debut at Keisha Thompson's welcome party
Theatre
Review: We Won't Fall
Alexia Pieretti reviews We Won't Fall at the International Anthony Burgess Foundation
Theatre
Review: The Shadows (MIFTA)
Alexia Pieretti reviews dark comedic social commentary The Shadows, performed at the King's Arms as part of the Drama Society's MIFTA season
Theatre
Review: monster/monstrum (MIFTA)
Alexia Pieretti reviews a live-streaming of Monster/Monstrum, which was performed at NIAMOS Art Centre as part of the Drama Society's MIFTA season but live-streamed in the wake of…
Theatre
Review: The Last Temptation of Boris Johnson
Alexia Pieretti reviews The Last Temptation of Boris Johnson at the Lowry
Theatre
Review: An Area of Outstanding Natural Beauty (MIFTA)
Alexia Pieretti reviews An Area of Outstanding Natural Beauty at the King's Arms as part of MIFTA
Theatre
Review: The Curious Case of Benjamin Button
Alexia Pieretti reviews UMDS' The Curious Case of Benjamin Button, based on the F. Scott Fitzgerald novel
Theatre
The Mancunion's fave shows of the 2010s!
The Mancunion's Theatre section reveal their favourite shows of the decade
Theatre
Review: Teabags in the Sink and A Room in Upper Slaughter
What do the everyday issues of a middle-class family and the not-so-everyday issues of two hired assassins have in common? Find out in this double-feature review
Theatre
Review: The Wolf From The Door
Alexia Pieretti reviews the University of Manchester Drama Society's production of Rory Mullarkey's The Wolf from the Door